The Colrain Manuscript Intensive is a small (maximum 7), select, highly focused, 3-day conference designed for the evaluation and discussion of book-length manuscripts by editors and publishers. The intensive is open only to those who have attended a previous Colrain conference and/or those whose manuscript is close to publication (semi-finalist, finalist or publisher feedback), and/or those with previous book publication.
The intensive features in-depth pre-conference work and candid, realistic evaluation and feedback from decision-makers. In preparation, particpants will work on pre-conference assignments and then in the workshop to review, arrange, and winnow their collections based on the pre-conference work.. In addition to the manuscript preparation workshop and editor consultation, there will be editorial Q&A, and after-conference strategy session. The Intensive also includes a pre-conference manuscript reading and separate consultation with Joan Houlihan.
Agenda
Friday: you will receive your Zoom link via email at 4 pm EST on Friday, December 3. Introductions among participants and faculty take place (bring your own wine!). We’ll talk about backgrounds in poetry, goals and expectations. Faculty will present an overview of the weekend.
Saturday: workshops begin at 10 am EST.
Sunday: editorial sessions begin at 10 am EST.
(Pre-conference work will be sent pre-conference.)
Monday: wrap-up session and publication strategies going forward.
Faculty
You will work with poet-editors Joan Houlihan, Martha Rhodes and Ellen Dore Watson.
Joan Houlihan is the author of six books of poetry, most recently, It Isn’t a Ghost if it Lives in Your Chest (Four Way Books). In addition to publishing in a wide array of leading journals, including Poetry, Boston Review, Harvard Review and Gulf Coast, she has served as critic and editor at a series of online magazines, most recently Contemporary Poetry Review. Her critical essays are archived online at bostoncomment.com. Her work has been anthologized in The Iowa Anthology of New American Poetries (University of Iowa Press) and The Book of Irish-American Poetry–Eighteenth Century to Present (University of Notre Dame Press). She has taught at Columbia University and Smith College and currently teaches in the Lesley University Low-Residency MFA Program and is Part-time Professor of Practice in Poetry at Clark University, both in Massachusetts. Houlihan is founder and director of the Colrain Poetry Manuscript Conference. Read more…
Martha Rhodes
Martha Rhodes is the publisher of Four Way Books, a literary press in New York City where she edits and publishes award-winning poets including Gregory Pardlo (Pulitzer Prize), Rigoberto Gonzalez (Lenore Marshall Award and Lambda Award) and Yona Harvey (Kate Tufts Discovery Award). She is author of five poetry collections: The Thin Wall (University of Pittsburgh Press, 2017), The Beds (Autumn House Press), Mother Quiet (Zoo Press, 2004), Perfect Disappearance (winner of The Green Rose Prize, New Issues, 2000), and At the Gate (Provincetown Arts, 1995). She has published widely in magazines and journals including Agni, American Poetry Review, Ploughshares, and TriQuarterly, and her work has appeared in such anthologies as Extraordinary Tide: New Poetry by American Women, The New American Poets, Last Call, and many others. Martha has taught at Emerson College, New School University, UC at Irvine, and currently teaches at Sarah Lawrence and the Warren Wilson MFA Program.
Ellen Doré Watson
Poet and translator Ellen Doré Watson is the former director of The Poetry Center at Smith College and is currently the Grace Hazard Conkling Writer-in-Residence at Smith. She also serves as poetry and translation editor of The Massachusetts Review. Her fifth full-length collection, pray me stay eager, is available from Alice James Books. Earlier books include Dogged Hearts (Tupelo Press, 2010), This Sharpening (also from Tupelo), and two from Alice James, We Live in Bodies and Ladder Music, winner of the New England/New York award. Her poems have appeared in The American Poetry Review, Tin House, Orion, and The New Yorker. Among her honors are a Rona Jaffe Writers Award, fellowships to the MacDowell Colony and to Yaddo, and a National Endowment for the Arts Translation Fellowship. Her best-known works of translation are The Alphabet in the Park and Ex-Voto, both by Brazilian Adélia Prado. Watson also teaches in the Drew University Low-Residency MFA in Poetry and Poetry in Translation and has for many years led a generative writing group in Northampton, MA.
How to Apply
Before you apply, please visit the Conference Criteria page to make certain this conference is right for you. If so, submit an application.
Conference Fee
Following successful application, the registration fee is $1,200.00.
